Suso33 spent the last few days perched on a yellow crane to work on this impressive new piece on the streets of Madrid, Spain. Using a rather simple technique, the Spanish artist painted a brilliant piece which enters directly amongst our favourite artworks this year. This mural is a concentration of slightly outlined figures which are persecuted by their shadows, but if the viewer, instead of focusing on details, looks at the entire picture, what he sees is another figure. Take a look at more images after the jump and if you are in the area, you'll be able to find the piece at plaza del Poeta Leopoldo de Luis.

Michael Hughes creates cool optical illusions by placing cheap souvenirs in front of famous landmarks. Michael has discovered the technique back in 1998 when he held up a postcard he bought for his daughter on the tourist platform at the Lorelei cliffs next to the river Rhine. “I was amazed because it just seemed to fill a massive grey hole that was in the sky and it was the exact position the photographer had taken the picture from,” said Michael to Daily Mail.

Andy Kehoe recently returned to New York for his third solo show with Jonathan LeVine Gallery. Entitled Luminous Reverie, this show explores the idea of experiencing a lucid moment while drifting along in a daydream. We enjoyed the works, which continued the new direction that he premiered during a show in Los Angeles last year (covered). Again, Kehoe explores the technique of painting layers upon layers of resin and creating a natural 3-D visual element for the viewers to enjoy. This show will be up until June 15th, so stop by and check it out if you’re in NYC.

Brad Says “Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.”

Two of 20 skulls to be taken possession of by a delegation from Namibia stand on display at a ceremony at Charite hospital on September 30, 2011 in Berlin, Germany. The skulls are from Herero and Nama tribespeople taken by German colonial forces between 1904 and 1908, when the Germans violently suppressed an uprising in what was then German Southwest Africa, which is today's Namibia, and in the process killed tens of thousand of Herero and Nama. German scientists at the time took the skulls back to Berlin to demonstrate the racial superiority of Europeans over black Africans. Many Namibians demand a formal apology from the German government. (Photo by Sean Gallup/Getty Images)

Models of Cold War-era Allied (L) and Soviet Bloc weaponry face one another at the new Bundeswehr Military History Museum (Militaerhistorisches Museum der Bundeswehr, or MHM) on October 11, 2011 in Dresden, Germany. The museum, redesigned by star architect Daniel Libeskind, traces Germany military history from 1300 to the present, including during the Nazi period and the Cold War, and also examines the influence of the military on popular culture. (Photo by Sean Gallup/Getty Images)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.