Displaced Palestinian children play with surgical rubber gloves in Rafah in the southern Gaza Strip, on May 31, 2024, amid the ongoing conflict between Israel and the Palestinian Hamas group. (Photo by Eyad Baba/AFP Photo)

Girls, who are part of Afghan Mobile Mini Circus for Children (MMCC), participate in a juggling competition in Kabul, Afghanistan August 12, 2015. The MMCC, founded by David Mason from Denmark, teaches cooperation and creativity to children scarred by years of war in Afghanistan. Despite the dangers, the project has grown so popular that it now runs centres in ten provinces and has hundreds of regular students. The circus makes visits to internally displaced persons' camps, schools, orphanages, and holds annual festivals. The children are taught the skills of juggling clubs, walking on stilts and acrobatics. (Photo by Ahmad Masood/Reuters)

Charlotte fights a monster with a “wand” in her bedroom in Laure Fauvel's “Terreurs”, 2014, in Paris, France. An imaginative photographer has brought to life monsters that haunt children's nightmares. Armed with sticks, wands and swords the eight and nine year-olds appear to be getting the upper-hand against the villains. Parisian photographer Laure Fauvel, 22, said: I wanted the children not be victims and to fight the monsters. (Photo by Laure Fauvel/Barcroft Media)

Buddhists monks and children look out from the rooftop at a Buddhist mission hostel and school for underprivileged children as an international passenger flight takes off at the Netaji Subhash Chandra Bose International Airport as the authorities eased restrictions imposed as a preventive measure against the spread of the COVID-19 coronavirus, in Kolkata on July 5, 2020. (Photo by Dibyangshu Sarkar/AFP Photo)

Sinterklaas (R) a legendary figure based on Saint Nicholas, Christian patron saint of children, and page Sooty Piet have a video call with children in Dodewaard, the Netherlands, 01 December 2021. The Christian feast of Saint Nicholas is celebrated annually with the giving of gifts on the eve of 05 December in The Netherlands. (Photo by Remko de Waal/EPA/EFE/Rex Features/Shutterstock)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Indian children work nearby to their parents at a construction project in front of the Jawaharlal Nehru Stadium on January 30, 2010 in New Delhi, India. The children accompany their parents to the work site, where if they are prepared to work, they will receive money for bread an milk and be provided with dinner by the contractor. The sheer scale of the project has drawn an enormous population of migrant workers from all over India.