These ink-redible, explosive masterpieces are like say-what-you see inkblots tests only in water. The vibrant colors burst from Brian Tomlinsons works, appearing as though they may be coloured ash clouds from an erupting volcano, rather than simply everyday substances. By doing so, Brian challenges viewers to identify what images can be imagined when mixing one fluid with another. In order to shoot the series, entitled Liquid Ink Art, Brain, 40, drops different coloured inks into a fish tank full of water before capturing high-speed shots with a flash. Here: Brian Tomlinsons ink artwork. (Photo by Brian Tomlinsons/Caters News Agency)

A woman walks past a caricature of Britain's Foreign Secretary Boris Johnson in east London, Britain November 18, 2016. (Photo by Andrew Winning/Reuters)

In this Sunday, June 17, 2018, file photo, an Indonesian resident walks past graffiti on a downtown street in Hong Kong. There are 370,000 foreign domestic helpers in the Chinese territory and about 49.4 percent from Indonesia. (Photo by Vincent Yu/AP Photo)

A jogger runs on the bank of Donaukanal channel in central Vienna, Austria, September 5, 2016. (Photo by Heinz-Peter Bader/Reuters)

A woman wearing a protective face mask walks past a graffiti, after authorities eased lockdown restrictions that were imposed to slow the spread of the coronavirus disease (COVID-19), in Mumbai, India, June 12, 2020. (Photo by Hemanshi Kamani/Reuters)

A photo taken on November 17, 2021 shows two glass recycling containers transformed as part of the new GAU project (Gallerie Urbane di Città Ideale, or Urban Galleries of the Ideal City), promoted by the cultural association Progetto Goldstein, in the Circonvallazione cornelia street of Rome. The project is transforming 34 containers for the separate collection of glass into artists' canvases with a special tribute to poet Dante and his Divine Comedy. (Photo by Tiziana Fabi/AFP Photo)

Laura Ford’s 1991 sculpture Twiglet has been installed at Thirsk Hall Sculpture Garden, North Yorkshire, UK in the last decade of April 2024. (Photo by James Glossop/The Times)

French photographer Bettina Rheims poses next to her work, two days before the opening of her exhibition “Pourquoi m'as-tu abandonnée ?” (Why did you abandon me?) at the Museum of Photography Charles Negre, in Nice on June 13, 2024. (Photo by Valery Hache/AFP Photo)