Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Artist Amber Wheeler of Minneapolis, Minn., has given her 2-month-old boy just that. All she used was some Photoshop and well-timed photos. Using simple black lines – much like the ones in this series of cat Instagram portraits – Wheeler transformed her son into an astronaut, a superhero, and a cowboy without spending one dollar on costumes.

German photographer Martin Klimas, who you may remember from his exploding porcelain figure series, creates breathtaking photos of flowers exploding into a million beautiful pieces. To achieve this effect, he soaks the petals in liquid nitrogen to make them brittle and hits the flower with an air gun.

Kirsty Mitchell is a former fashion designer who worked under both Alexander McQueen and Hussein Chalayan as a student. However, she found her ultimate calling in photography. Her imaginative series 'Wonderland' takes you to alternate worlds where umbrellas drip with lavenders, backs sprout wings and limbs get lost in tree branches

Denis Rouvre is a portraitist, living and working in France. His photos have been nationally and internationally published. Rouvre’s photo series have been widely exhibited in France and abroad. He has also published several books, and his numerous prizes include World Press Photo award, and a Sony World Photography Award. Photo: Asia Argento. (Photo by Denis Rouvre)

Photographer Howard Schatz had an idea: place actors in a series of roles and dramatic situations to reveal the essence of their characters. Such was the premise behind his book, In Character: Actors Acting, which captures some of Hollywood’s most emotive stars in the act of, well, making faces. Luckily for us, he continued the tradition for Vanity Fair. Here are some of the best.

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)