Tiny pieces of space rocks, called meteorites, are seen burning in the atmosphere over the night sky near Salgótarján, some 109km northeast of Budapest, Hungary, 21 April 2018 (issued 22 April 2018). (Photo by Peter Komka/EPA/EFE)

A tree covered with hoarfrost casts a shadow on a snowy field, shot with a drone in Sieversdorf-Hohenofen, Germany on January 31, 2021. (Photo by Patrick Pleul/dpa)

Aoife Brack (Gorey, Wexford) with Sean Brack on her shoulders having great fun with the Bubble performers at the Kaleidoscope festival in Russborough House, Co. Wicklow, Ireland on July 2, 2023. (Photo by Nick Bradshaw for The Irish Times)

An activist blocks a highway during a protest demanding the immediate release of hostages held by Hamas and calling for the Israeli government to reverse its decision to take over Gaza City and other areas in the Gaza Strip, near the city of Lod, Israel, Tuesday, August 26, 2025. (Photo by Ohad Zwigenberg/AP Photo)

Vadim Voitekhovitch was born in a small town of Mozyr, Belarus. He spent most of his life Belarus and he graduated from Bobruisk Art College. From 2004 he lives and works in Germany. His style is quite diverse, but he dedicates most of his time to watercolor and oil. Voitekhovitch likes to draw pictures on history subjects and especially subjects coming from XVIII-XIX centuries.

American sculptor Michael Alfano has been sculpting for over fifteen years. A native of New York, he now lives and works in Hopkinton, Massachusetts. His major influences are Salvador Dali, Jo Davidson, and Jean-Antoine Houdon, as well as Buddhist, Taoist, Sufi and other eastern philosophy and literature. He first studied at the Art Students League of New York, with an emphasis on life-size sculpture from the model. His formal education continued at Boston University and was augmented by internships with several prominent sculptors.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

These are the stomach-churning pictures of the swing at the end of the world – a rickety wooden swing hanging over a precipice 2,660 metres above sea level – and not a seatbelt in sight. (Photo by Caters News)