A dog waits as his companion fills out their ballot at Eastern Market in Washington, DC, on November 5, 2024. (Photo by Allison Robbert for The Washington Post)

Brown-throated sloth called “43”, rescued by Juan Carlos Rodriguez and his wife Haydee in a residential area, waits in the kennel getting prepared for being released, at the couple's shelter for sloths, in San Antonio, Venezuela on July 30, 2021. (Photo by Leonardo Fernandez Viloria/Reuters)

A mural on an apartment block created as part of the Urban Morphogenesis street art festival in the Novaya Tryokhgorka residential neighbourhood in the town of Odintsovo in Moscow Region, Russia on August 31, 2019. (Photo by Valery Sharifulin/TASS)

People protest getting evicted from land designated for a Petrobras refinery, at a settlement coined the “First of May Refugee Camp”, referring to the date people moved here and set up tents and shacks to live in during the new coronavirus pandemic in Itaguai, Rio de Janeiro state, Brazil, Thursday, July 1, 2021. (Photo by Silvia Izquierdo/AP Photo)

Pietro Sighel of Italy crashes during his heat of the men's 1,000-meter during the short track speedskating competition at the 2022 Winter Olympics, Saturday, February 5, 2022, in Beijing. (Photo by David J. Phillip/AP Photo)

Linda Evangelista, Naomi Campbell, Polly Mellon, and Christy Turlington, The Fashion Group International's 6th Annual “Night of 100 Stars” at the The Plaza Hotel in New York City, New York on October 29, 1989. (Photo by Ron Galella/WireImage)

Brasil's Flavia Saraiva competes on the Balance Beam in the Women's Team Final during the 52nd FIG Artistic Gymnastics World Championships, in Antwerp, northern Belgium, on October 4, 2023. (Photo by Lionel Bonaventure/AFP Photo)

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.