A Thai and foreign revelers battle with water guns during the annual Songkran celebration at Khaosan Road, a tourist spot in Bangkok, Thailand, 12 April 2017. The four southeast Asian nations of Myanmar, Thailand, Cambodia and Laos started the Buddhist new year, known as Thingyan in Myanmar and Songkran in Thailand, on April 13. (Photo by Rungroj Yongrit/EPA)

A cat tries to find dry ground around an apartment complex in Houston after Hurricane Harvey hit on Aug. 30. Harvey made landfall in South Texas on August 25, leading to days of downpours that dumped more than 50 inches of rain. Harvey damaged or destroyed about 200,000 homes as the storm system flooded much of Houston and smaller coastal communities. (Photo by Scott Olson/Getty Images)

Shortlisted: The Life: A narrow strip, Río Tinto, Huelva, Spain. A narrow strip of road divides ochre-coloured and fresh waters. Trees wait on the fresh side of the road opposite the toxic waters of a nearby mine reservoir. (Photo by Roberto Bueno/CIWEM Environmental Photographer of the Year 2021)

Youth category winner: Symphony No 5 by Giacomo Redaelli (Italy). (Photo by Giacomo Redaelli/2019 Nature Photographer of the Year)

Polar frame, by Dmitry Kokh, Russia. When Kokh’s boat approached the small island of Kolyuchin in the Russian High Arctic, which had been abandoned by humans since 1992, he was surprised to spot movement in one of the houses. Binoculars revealed polar bears – more than 20 in total – exploring the ghost town. Dmitry used a low-noise drone to document them. (Photo by Dmitry Kokh/Wildlife Photographer of the Year 2022)

Brad Snead walks past melting ice on the Cook Inlet beach, Saturday, March 26, 2011, in Kenai, Alaska, while looking for agates. (AP Photo/Peninsula Clarion, M. Scott Moon)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)