Kumari Samita Bajracharya sits in front of devotees offers during a special puja at Kumari Ghar in Patan, Nepal, 09 April 2011. It is believed that worshipping Kumari and receiving tika from her reduces illness and avoid problems. Kumari, or Kumari Devi, is a “living goddess”. The word literally means virgin in Nepali. The Living Goddesses are young pre-pubescent girls that are considered to be incarnations of the Hindu Goddess of Power, Kali. The Kumari retires when she reaches puberty. (Photo by Narendra Shrestha/EPA)

In this Thursday, May 24, 2018, photograph, artists of Ukraine's Artel Myth theatre perform “A day in the life of Ukrainians” at the Living Statues International Festival, in Bucharest, Romania. Up to thirty thousand people enjoyed a week of street performances by reputed artists from eight countries in the “largest European festival of the genre”. (Photo by Vadim Ghirda/AP Photo)

Maria Ines Banegas portraying “La Pirata” (The Pirate) takes part in a human living statues contest in Buenos Aires, Argentina, September 24, 2016. (Photo by Enrique Marcarian/Reuters)

A boy runs next to a portrait of Thailand's King Bhumibol Adulyadej, placed in celebration of the King's 88th birthday, in Bangkok, Thailand, December 5, 2015. (Photo by Jorge Silva/Reuters)

Russian communists lay flowers at Soviet leader Joseph Stalin's tomb on Red Square next to the Kremlin wall in Moscow, Russia, December 21, 2015. Russian communists are marking the 136th anniversary of Josef Stalin's birthday. (Photo by Sergei Ilnitsky/EPA)

The hard-worked hands of Jacaba Coaquira, 80, holding the green beans she grew on her land. This year the production of her land was affected by lack of rain and early cold weather that froze the crops before they finished growing. Santiago de Okola, Bolivia. (Photo by Renée C. Byer/Living on a Dollar a Day)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)