Donny Golden shares a laugh with dancers from the Irish American Society during the 250th annual St. Patrick's Day parade March 17, 2011 in New York City. The parade honors the patron saint of Ireland and marched for the first time in the U.S. on March 17, 1762, fourteen years before the Declaration of Independence.

Artist Ted Harrison makes final adjustments to his artwork created with poppies on the floor of St. Paul's Cathedral on November 10, 2011 in London, England. Mr. Harrison created the work on a 30 foot disc under the main dome of the cathedral with the intention of drawing attention to the 250,000 children worldwide currently under military orders. (Photo by Peter Macdiarmid/Getty Images)

Council staff clean a section of the rarely seen Minton tiled floor of the of the grand St. George's Hall on January 4, 2012 in Liverpool, England. (Photo by Christopher Furlong/Getty Images)

A woman holds her dog as it is blessed by a priest in Benalmadena, near Malaga, Spain, January 17, 2016. Hundreds of pet owners bring their animals to be blessed every year on the day of San Anton, Spain's patron saint of animals. (Photo by Jon Nazca/Reuters)

Members of the King's Troop Royal Horse Artillery fire a 41 gun salute in Hyde Park to mark the 60 anniversary of the accession of Her Majesty Queen Elizabeth II on February 6, 2012 in London, England. (Photo by Oli Scarff/Getty Images)

A group of hikers atop Mount St. Helens on July 21, 2016. Mount St. Helens or Louwala-Clough is an active stratovolcano located in Skamania County, Washington, in the Pacific Northwest region of the United States. It is 96 miles south of Seattle, Washington, and 50 miles northeast of Portland, Oregon. (Photo by Raxit Kagalwala)

Figures from Antony Gormley's “Field For The British Isles” adorns an exhibition space in St Helen's College in the town of it's creation 15 years ago, June 23, 2008, St Helens, England. The installation of over 40,000 clay figures has returned to the place where it was made by local people from local clay. Artist Antony Gormley describes his creation as “25 tons of clay energised by fire, sensitised by touch and made conscious by being given eyes ... a field of gazes which looks at the observer making him or her its subject”. (Photo by Christopher Furlong/Getty Images)