A photo provided by the Atlanta Journal-Constitution shows Atlanta police officer T. R. Coxe removing painted material of a large swastika featuring a likeness of Republican presidential candidate, Donald Trump, along the northbound Buford Highway Connector just south of the Piedmont exit, in Atlanta, Georgia, USA, 09 December 2015. Just days after Donald Trump's call to ban Muslims from entering the United States, someone painted large swastikas featuring the Republican presidential candidate's face on at least two northeast Atlanta bridge supports. The symbol, which includes a cartoon of Trump sporting a Hitler-like mustache, was painted along the Buford Highway Connector. A second, similar image was found on a concrete bridge support on nearby Piedmont Road. Trump said in a statement released on 07 December that there should be a total and complete shutdown of Muslims entering the United States. (Photo by John Spink/EPA/AJC)

A youth poses while holding two fishes before his face in Iraq's southern port city of al-Faw, 90 kilometres south of Basra near the Shatt al-Arab and the Gulf, on May 18, 2020. In Iraq, a national lockdown to halt the COVID-19 coronavirus pandemic has found some unexpected fans: local businesses who no longer have to compete with Turkish, Iranian or Chinese imports. Those countries, as well as Saudi Arabia, Jordan and Kuwait, typically flood Iraqi markets with inexpensive products at prices local producers can't compete with. (Photo by Hussein Faleh/AFP Photo)

Camel herders scoop up water in plastic buckets from one of the few watering holes in the area, to water their animals near the drought-affected village of Bandarero, near Moyale town on the Ethiopian border, in northern Kenya, Friday, March 3, 2017. The U.N. humanitarian chief, Stephen O'Brien, toured Bandarero village on Friday and called on the international community to act to “avert the very worst of the effects of drought and to avert a famine to make sure we don't go from what is deep suffering to a catastrophe”. (Photo by Ben Curtis/AP Photo)

A waste picker unloads garbage at a waste transfer station in Bamako, Mali, August 19, 2018. In the Malian capital of Bamako, donkey carts driven by young men like 19-year-old Arouna Diabate play a vital role battling the fast-growing city's waste problem. Every morning before dawn, Diabate hitches his donkey to a cart and sets off on his rounds, going door-to-door to collect household garbage which he delivers to a local waste transfer station for a monthly salary of around $35. “I won't be picking up trash with a donkey cart for the rest of my life, but for now people appreciate us because we help clean up the homes of Bamako”, Diabate said. (Photo by Luc Gnago/Reuters)

To the woman presented a flower in Sevastopol, Ukraine, on March 8, 2013. Activists presented this day on the street free 155 tulips to women. The police tried to arrest activists for illegal trade as couldn't believe in free distribution of flowers. (Photo by Sergey Anashkevitch)

Take a walk on the wild side around some of the most down right dangerous places in the world - and all without leaving your desk, courtesy of Google Street View. Since 2007, Google's amazing technology has given people the chance to visit the Eiffel Tower, peer out over San Francisco's Golden Gate Bridge or walk along a beach in the Bahamas. But as well as mapping the tourist-friendly hotspots, Google also ventured into places you really wouldn't want to find yourself. Here is a collection of some the most notorious areas captured by the infamous roaming camera cars from around the UK and the world.

People seem to have a love-hate relationship with dogs dressed up like humans, but that hasn't stopped the Internet from churning out more ridiculous memes. The latest installment: Dogs wearing pantyhose (OK, we're classing it up a bit, Dis Magazine called it "b*tches wearing pantyhose") is a trend picking up in China, according to Sharp Daily, a Hong Kong news site.

"I'm an artist, recent graduate, specializing in photo realistic watercolors, painting what the camera can't capture. My work is perceivably on the darker side, but the actually is, it's about exploration.
My anatomical works combine classic poses, in dramatic chiaroscuro lighting, with a very contemporary twist... illustrating what's underneath the skin, and the portrayed figure dissects a region of their body to show the structures that lay beneath."