Clouds reflect off the water as they pass over while SpaceX prepares their super heavy-lift Starship SN8 rocket for a test launch this week at the company's facilities in Boca Chita, Texas, U.S. December 1, 2020. (Photo by Gene Blevins/Reuters)

Venezuelan Hildemaro Ortiz relaxes inside of an abandoned bus in the border city of Pacaraima, Brazil on April 13, 2019. Ten destitute Venezuelan migrants who fled their country's crisis did not get far when they crossed into Brazil: they have been living for three months on an abandoned bus just across the border. (Photo by Pilar Olivares/Reuters)

A Sudanese girl with half painted face watches as protesters demonstrate outside the defense ministry compound in Khartoum, Sudan, April 25, 2019. (Photo by Umit Bektas/Reuters)

A pitch invader attempts to evade a security official during the 2019 Cricket World Cup group stage match between England and New Zealand at the Riverside Ground, in Chester-le-Street, northeast England, on July 3, 2019. (Photo by Lee Smith/Action Images via Reuters)

Robots serve trays with food to customers waiting at the Robot theme restaurant in Bangalore, India, 17 August 2019. Six robots are deployed as waiters at the the robot-themed Robot restaurant where each table is equipped with a tablet to place one's order. (Photo by Jagadeesh N.V./EPA/EFE)

In this photograph taken on April 28, 2018, Afghan children work at a coal yard on the outskirts of Jalalabad, Afghanistan. (Photo by Noorullah Shirzada/AFP Photo)

Iraqi women practice at the sports club in Diwaniya, Iraq on November 10, 2018. On the blue mats of the al-Rafideen Club in the conservative city of Diwaniya, some 180 km (110 miles) south of Baghdad, some 30 female wrestlers, some still wearing headscarves, train three times a week. When a big competition comes up, they train every day. (Photo by Alaa Al-Marjani/Reuters)

Performance of the actress Asia Argento dedicated to the exhibition of the tattoo artist Marco Manzo at the Vittoriano museum in Rome, Italy on December 11, 2018. (Photo by Barbara Amendola/IPA Press)