Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Skeleton involves a person riding a small sled down a frozen track while lying face down. The sport is a more intense form of luge because skeleton competitors leap onto the sled and slide downhill head first. Skeleton athletes can reach up to 80 mph on straightaways, causing forces up to 5g, so the helmet is a critical component for attitude as well as safety.

“I think as mothers we are all just trying our best”. – Gisele Bundchen. (Photo by Mads Nissen/AFP Photo)

In this photo taken June 3, 2009, a female North Korean soldier looks out from behind a barbed-wire fence around a camp on the North Korean river banks across from Hekou, northeastern China's Liaoning province. North Korea's top court has convicted two U.S. journalists, and sentenced them to 12 years in labor prison, the country's state news agency reported Monday. (Photo by Ng Han Guan/AP Photo)

Model Juliana Paesthe (C) of Viradouro samba school participates in the annual carnival parade in Rio de Janeiro's Sambadrome, February 15, 2015. (Photo by Ricardo Moraes/Reuters)

A walruses at Hagenbeck Zoo in Hamburg, Germany on July, 7, 2015. (Photo by Werner Struss/Startraks action)

“Unexpected x2 (a.k.a. “how much is that doggie in the window”)”. Taiwan, 2011. (Photo and caption by Asian (Street) Impressions)

Projectionist Antonio Feliciano, 75, checks his projector before showing a film in Monforte, Portugal May 16, 2015. Shades of Oscar-winning classic "Cinema Paradiso" run through the life of Feliciano, a sprightly 75-year-old who fears he may be the last of Portugal's travelling film projectionists.After six decades travelling four million km (2.5 million miles) to screen 4,000 films in Portugal's far-flung villages, Feliciano does not plan to retire just yet. But he is resigned to the fact that the Internet, digital TV and distribution monopolies have made his craft obsolete. (Photo by Rafael Marchante/Reuters)