An H-2A rocket carrying Japan's fourth and final quasi-zenith satellite, the Michibiki No. 4, lifts off from the Tanegashima Space Center in Kagoshima Prefecture, southwestern Japan in this photo taken by Kyodo on October 10, 2017. (Photo by Reuters/Kyodo News)

Japan's Katsuyuki Tanamura reaches for a shot during a Japan men's water polo team training session at the Olympic Aquatics Centre, ahead of the 2024 Summer Olympics, Tuesday, July 23, 2024, in Saint-Denis, France. (Photo by Luca Bruno/AP Photo)

A woman surveys the damage after the earthquake on March 17, 2011 in Kensennuma, Japan. Residents were allowed back to their homes today and began the massive cleanup operation caused by a 9.0 magnitude strong earthquake that struck on March 11 off the coast of north-eastern Japan. The quake triggered a tsunami wave of up to 10 metres which engulfed large parts of north-eastern Japan. The death toll has risen past 5000 with at least 8600 people still missing. (Photo by Chris McGrath/Getty Images)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Cheerleaders from the “All Japan Cheer Organization” perform in protective masks due to COVID-19, to cheer people up in front of Shimbashi Station, one day before the start of the Tokyo 2020 Olympics in Tokyo, Japan on July 22, 2021. (Photo by Androniki Christodoulou/Reuters)

Chunhun (R), the leader of Japan's North Korea fan club called sengun-joshi, or military-first girls, and other members practice a Moranbong Band dance in Tokyo, Japan on November 2, 2017. (Photo by Toru Hanai/Reuters)