A member of the Pena de Pavao de Krishna traditional carnival group, which celebrates Indian deities, performs in Belo Horizonte, Brazil, on February 23, 2020. The group added more accelerated northern rhythms to its repertoire in a way to raise awareness of the importance of the Amazon rainforest and the worrying rates that it is burning at. (Photo by Douglas Magno/AFP Photo)

Member of the Imperio da Tijuca Samba School during the 2019 Carnival Series A parade in the Marques do Sapucaí Sambadrome in the city of Rio de Janeiro this Sunday, March 3, 2019. (Photo by William Volcov/Brazil Photo Press)

A local helps a reveler with his costume made from beer and soda cans during the “Bloco da Latinha” street party Carnival parade in Madre de Deus, Brazil, Sunday, February 11, 2024. (Photo by Eraldo Peres/AP Photo)

Revellers are sprayed by a water cannon during a street party called “Bloco Das Barbas” in Rio de Janeiro, Brazil on February 18, 2023. Hundreds of street parties traditionally take place every year in the city before and during Rio de Janeiro's carnival. (Photo by Carl de Souza/AFP Photo)

A woman dances during a rehearsal by the group “Tambores de Olokun” in Rio de Janeiro, Brazil, Sunday, April 17, 2022. The Brazilian municipalities of Rio de Janeiro and Sao Paulo postponed the traditional parades of the carnival samba schools to April 22 - 23, as a result of the COVID-19 pandemic. (Photo by Bruna Prado/AP Photo)

A member of Viradouro samba school performs during the first night of Rio's Carnival parade at the Sambadrome Marques de Sapucai in Rio de Janeiro, Brazil on April 22, 2022. (Photo by Carl de Souza/AFP Photo)

Women take part in an annual block party known as “Banda do Candinho e Mulatas” (Candinho Band and Mulatto Women), during carnival festivities at Bixiga neighbourhood in Sao Paulo, Brazil February 7, 2018. (Photo by Nacho Doce/Reuters)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)