The moon shines through trees at a United Nations displacement camp at dusk on March 14, 2011 in Ras Jdir, Tunisia. (Photo by Dan Kitwood/Getty Images)
Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.
I am 17 years old and an aspiring photographer. Ever since I set my hands on a camera, I knew I had unlocked a new dimension. One where you can expand your imagination and run for endless miles. Photography makes you look at things differently. You notice rain drops and the way the sun kisses the Earth. You breath in every moment of your life. You love to live and live to love. There is no time to waste because there is an urgency to capture each loving gesture, smile, and laugh in both humans and animals. Then every photograph becomes timeless and you smile, knowing that you hold a few split seconds in your hands. I live in a box called a camera with the lens as my window and everyday I sit on my couch watching the world outside through a different perspective. No worries, my dogs are right beside me looking at it the same way.
My Name Is Shikhei Goh. I was born in Dabo Singkep (Riau Islands) and now I live in Batam Island, an industrial island about 45 minutes by boat from singapore. I started taking pictures using a DSLR in March 2011. I had tried taking pictures of many things but I really have a great passion for Macro photography and I can say I am a macro addict.
I have always said to myself that I must and I can make great photos. After countless of trials and errors, explorations, and criticisms I can say that I am happy enough for what I have achieved now. However, I will keep on exploring as there are always new things in macro photography.