A giant storm cloud can be seen in the sky above swimmers near Mollymook Beach, south of Sydney, March 5, 2014. (Photo by David Gray/Reuters)

A man flies a kite on the Bund while buildings of Pudong's Lujiazui financial district stand across the Huangpu River as the sun rises in Shanghai, China, on Friday, October 2, 2015. (Photo by Qilai Shen/Bloomberg)

The rising sun illuminates the sky above the spires of a church in Vienna, Austria, November 17, 2015. (Photo by Heinz-Peter Bader/Reuters)

A photographer takes a snapshot of the reflection of balloons as they take off from Balloon fiesta park in Corrales, N.M., near a north diversion channel reservoir Wednesday, October 7, 2015. (Photo by Roberto E. Rosales/Albuquerque Journal via AP Photo)

In this photo taken late Thursday, May 7, 2015, a prison guard, left, and seated inmates cast shadows on a wall while waiting for the beginning of a rock concert by Romanian band Pro Musica, inside the Popa Sapca jail in Timisoara, western Romania. (Photo by Adi Piclisan/AP Photo)

Revellers ride during the 54th annual brass band festival in the Serbian village of Guca August 7, 2014. Every year Guca is swamped by thousands of people taking part in the celebration of brass band music. (Photo by Marko Djurica/Reuters)

That's exactly what Vionnet's "Photo Opportunities" series does: takes hundreds of tourist photos of iconic landmarks, superimposes them into semi-transparency, and lets a dreamlike meta-image emerge.

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)