A policeman kick in the door of a residence next to the Black Panther headquarters in New Orleans as they moved in following a shootout, September 15, 1970. Other heavily armed policemen stand at ready. (Photo by Jack Thornell/AP Photo)

Miss Panama Solaris Barba competes in the evening gown competition during the preliminary round of the 71st Miss Universe Beauty Pageant in New Orleans, Wednesday, January 11, 2023. (Photo by Gerald Herbert/AP Photo)

A New Orleans Saints fan parties in the stands in the first half of an NFL preseason football game against the Jacksonville Jaguars in New Orleans, Monday, August 23, 2021. Last season the team played with a marginal number of fans in a largely empty Superdome due to the coronavirus pandemic, but this year fans are allowed with proof of vaccination. (Photo by Derick Hingle/AP Photo)

Revelers march in the Lower Ninth Ward during a second line parade marking the 10th anniversary of Hurricane Katrina on August 29, 2015 in New Orleans, Louisiana. (Photo by Mario Tama/Getty Images)

Tulane University graduates pop prosecco as they pose for graduation photos on a largely empty Bourbon Street, due to the coronavirus pandemic, in the French Quarter of New Orleans, Tuesday, May 12, 2020. (Photo by Gerald Herbert/AP Photo)

Miss Haiti Mideline Phelizor competes in the evening gown competition during the preliminary round of the 71st Miss Universe Beauty Pageant in New Orleans, Wednesday, January 11, 2023. (Photo by Gerald Herbert/AP Photo)

In this May 2, 2015 photo, skywriter Nathan Hammond releases smoke as he writes messages of hope and love over New Orleans, during the New Orleans Jazz & Heritage Festival. Hammond was commissioned by local entrepreneur, Frank Scurlock, who said the messages were simply his way of reminding people that goodness can still flourish in a world that seems increasingly marred by violence. (Photo by Gerald Herbert/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)