An Indian woman performs rituals near the body of her husband who died of COVID-19 in Gauhati, India, Monday, September 28, 2020. India’s confirmed coronavirus tally has reached 6 million cases, keeping the country second to the United States in number of reported cases since the pandemic began. (Photo by Anupam Nath/AP Photo)

A Hindu devotee bathes in the Shali River during the Swasthani Brata Katha festival, marked with auspicious bathing in water bodies hoping for a prosperous life and conjugal happiness, on the outskirts of Kathmandu on January 28, 2021. (Photo by Prakash Mathema/AFP Photo)

The body of an unidentified man lies on a road barrier near a village recently retaken by Ukrainian forces on the outskirts of Kharkiv, Ukraine, Saturday, April 30, 2022. Ukraine's second-largest city, has been under sustained Russian attack since the beginning of the war in late February. (Photo by Felipe Dana/AP Photo)

Relatives of the victims, died in the Israeli airstrikes, mourn as they take the bodies from the morgue of Nasser Hospital for the funeral ceremony as the Israeli army attacks continue in Khan Yunis, Gaza on November 14, 2023. (Photo by Belal Khaled/Anadolu via Getty Images)

Akram Abu al-Foz places a painted empty shell on top of a Christmas tree he decorated from empty shells he collected in the rebel held besieged city of Douma, in the eastern Damascus suburb of Ghouta, Syria December 23, 2016. (Photo by Bassam Khabieh/Reuters)

A female participant of the Bela Negara – “defend the nation” – programme applies camouflage face paint on another participant's face at a training centre in Rumpin, Bogor, West Java, Indonesia June 2, 2016. (Photo by Darren Whiteside/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)