A woman crosses an open sewer as she makes her way to her house in a Christian slum in Islamabad December 4, 2014. (Photo by Zohra Bensemra/Reuters)

Charcoal burner Zygmunt Furdygiel fires wood inside a charcoal furnace at a charcoal making site in the forest of Bieszczady Mountains, near the village of Baligrod, Poland October 27, 2016. (Photo by Kacper Pempel/Reuters)

A street artist makes soap bubbles in front of the Alte Nikolaikirche church at the Roemerberg square in Frankfurt am Main, western Germany, on August 12, 2018. (Photo by Frank Rumpenhorst/DPA/AFP Photo)

A woman walks into the ocean as a sea lion makes its way to the beach in the La Jolla neighborhood of San Diego, California, on September 3, 2025. (Photo by Mike Blake/Reuters)

On the November 24, 2025, children are making human faces by collecting fallen leaves in the forest in front of the Yuseong-gu Office in Daejeon. (Photo by Shin Hyeon-jong)

A participant in costume eats a sandwich after a Halloween parade in Kawasaki, south of Tokyo, October 26, 2014. More than 100,000 spectators turned up to watch the parade, where 2,500 participants dressed up in costumes, according to the organiser. (Photo by Yuya Shino/Reuters)

A combination picture shows participants in costume at a Halloween parade in Kawasaki, south of Tokyo, October 25, 2015. More than 100,000 spectators turned up to watch the parade, where 2,500 participants dressed up in costumes, according to the organiser. (Photo by Yuya Shino/Reuters)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.