A leaf from a sweetgum tree (Liquidambar styraciflua) lies on the grass at Godewaersvelde early October 27, 2017. (Photo by Philippe Huguen/AFP Photo)

Acrobat Indira Avila leaves the ring as performer Glenn Falco warms up backstage ahead of a dress rehearsal at the newly renovated Blackpool Tower Circus, in Blackpool, Britain, March 28, 2022. (Photo by Phil Noble/Reuters)

Aide Choque, wearing a mask amid the COVID-19 pandemic, jumps with her skateboard during a youth talent show in La Paz, Bolivia, Wednesday, September 30, 2020. Young women called “Skates Imillas”, using the Aymara word for girl Imilla, use traditional Indigenous clothing as a statement of pride of their Indigenous culture while playing riding their skateboards. (Photo by Juan Karita/AP Photo)

People are silhouetted while riding the Atmosfear double swing, which lifts riders more than 66 meters into the air while spinning at up to 70 km/h, at the Pacific National Exhibition at sunset in Vancouver, British Columbia, on Tuesday, August 31, 2021. (Photo by Darryl Dyck/The Canadian Press via AP Photo)

People take part in the Burning of the Clavie fire festival in Burghead, Moray, UK on Saturday, January 11, 2025. Burghead welcomes in the New Year twice each year, on both January 11th and the more traditional January 1st. (Photo by Jane Barlow/PA Images via Getty Images)

People watch the light installation “Onion Skin” by artist Oliver Ratsi performed during the Vilnius 700th anniversary celebration, in Vilnius, Lithuania, 25 January 2023. (Photo by Valda And Kalniņa/EPA/EFE)

A landscape photographer has captured a stunning picture of the Isle of Wight's iconic Needles emerging from the sea mist early February 2023. Jamie Russell captured this moment on the most western part of the island. (Photo by Jamie Russell/IslandVisionss/Bournemouth News)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)