Waves crashing on the shore at sunrise at St Mary's lighthouse in Whitley Bay in Tyne and Wear on the north east coast of England on Friday, October 22, 2021. (Photo by Owen Humphreys/PA Images via Getty Images)

Firework display from the top of the Sky Tower to welcome the New Year on January 1, 2015 in Auckland, New Zealand. (Photo by Dave Rowland/Getty Images)

The stunning Milkyway in Midwestern U.S.A. captured by photographer Randy Halverson in 2013. The stunning skies in Midwestern U.S.A. captured by photographer Randy Halverson. The videographer captured rare footage of the Milky Way, the elusive Northern Lights and raging night storms in some of the most isolated regions of the U.S.A. The footage, which spans the skies of South Dakota, Wyoming and Utah, was taken between spring and autumn 2013. The 47-year-old spent 40 nights scattered across the eight-month period sat near his camera to capture the clear footage. Randy from Kennebec, South Dakota has been shooting timelapse for over 4 years. (Photo by Randy Halverson/Barcroft Media)

The Belgian photographer Anton Kusters spent two years photographing the Yakuza, Japan’s most notorious gang. He returned with some amazing images that he made into a book called “Odo Yakuza Tokyo”. (Odo means “the way of the cherry blossom” and is the credo of the Yakuza family he followed. Photo: An erotic danser picks up fake 2-dollar bills during a private dance with a Yakuza customer in a strip tease bar in Kabukicho, a bar which is controlled by the ODO family – 2010. (Photo and caption by Anton Kusters)

The British Wildlife Photography Awards winners have been revealed, with Lee Acaster from Suffolk taking home the top prize for his shot of a Graylag Goose in London. Acaster, who received £5,000, photographed the animal against an ominous London skyline, with The Shard clearly visible in the background. Here: “Urban Tourist (Graylag Goose)”. Urban category and overall winner. (Photo by Lee Acaster/British Wildlife Photography Awards 2014)

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

Iceland horses play on a meadow of a stud farm in Obernhain near Frankfurt, Germany, as the sun rises Thursday, July 23, 2020. (Photo by Michael Probst/AP Photo)