Yanira Villarreal, left, Ayde Choque, center, and Milenda Limachi, wearings masks amid the COVID-19 pandemic and dressed as a “Cholita” pose for a photo with their skateboards during a youth talent show in La Paz, Bolivia, Wednesday, September 30, 2020. Young women called “Skates Imillas”, using the Aymara word for girl Imilla, use traditional Indigenous clothing as a statement of pride of their Indigenous culture while playing riding their skateboards. (Photo by Juan Karita/AP Photo)

Papier-mache sculptures, also known as “ninots”, burn during the “Nit de la Crema” (Fire Night) of the Fallas Festival in Valencia, eastern Spain, 19 March 2024. Fallas is a fortnight-long fiesta in which installations of parodic papier-mache, cardboard, and wooden sculptures are traditionally burnt every year on the last day of the event in the so-called “Crema” to end the festivities. (Photo by Biel Alino/EPA/EFE)

Co-Host Kristin Chenoweth speaks onstage at the American Country Awards 2011 at the MGM Grand Garden Arena on December 5, 2011 in Las Vegas, Nevada. (Photo by Ethan Miller/Getty Images)

A member of the “Morenada Los Cocanis” group dances during the Carnival parade in Oruro February 14, 2015. Thousands of dancers and tourists attend the carnival celebrations in Oruro, south of La Paz. (Photo by David Mercado/Reuters)

A bull rams inmates seated at a card table in the Convict Poker event at the Angola Prison Rodeo in Angola, La., Saturday, April 26, 2014. Those competing in the rodeo have to pass a physical to be deemed strong and healthy enough, and thousands of others work year-round making arts and crafts to sell at the event, according to the prison's athletic director. (Photo by Gerald Herbert/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

In this February 5, 2014 photo, Divaldo Aguiar, who plays the part of Pachencho, is carried in a mock coffin during the Burial of Pachencho celebration, through a cemetery in Santiago de Las Vegas, Cuba. Cuban villagers stage a mock funeral and burial of Pachencho, with a living man playing the part of Pachencho, in a boozy festival that has become an annual tradition in this small town near Havana, held each February 5 for the last 30 years. (Photo by Enric Marti/AP Photo)

A woman is helped with adorning her hair with jewelry, part of the traditional clothing known as “Pollera”, before the annual Thousand Polleras parade in Las Tablas, in the province of Los Santos January 10, 2015. According to local residents, the Pollera dates back to the 18th century and was worn by the Spanish lower classes. Today, it has become the Panamanian national costume. The dress is made entirely by hand and the jewellery worn is pure gold and worth thousands of dollars. (Photo by Carlos Jasso/Reuters)