“La Diablada” dancers take part in a celebration in honor of the Virgin del Carmen, patron saint of Chile, in Santiago, Chile, Saturday, July 16, 2022. Hundreds of cowboys in woolen ponchos and families on wooden horse carts lined up to receive a priest's blessing in the huge esplanade in front of the National Sanctuary of Maipu on Saturday afternoon. (Photo by Esteban Felix/AP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

French mounted bullfighter Lea Vicens is gored by her first bull and falls off her horse during the 31st day of the San Isidro bullfighting festival at Las Ventas bullring in Madrid, Spain, 10 June 2017. (Photo by Victor Lerena/EPA)

A fan of Colombia wears a tiger costume prior to the FIFA Women's World Cup Australia & New Zealand 2023 Group H match between Germany and Colombia at Sydney Football Stadium on July 30, 2023 in Sydney, Australia. (Photo by Justin Setterfield/Getty Images)

The “Strandbeest” sculpture created by Dutch artist Theo Jansen walks at Federation Square on February 1, 2012 in Melbourne, Australia. The 12 metre long, 4 metre high and 2 metre wide structure built of plastic tubes and bottles designed to walk using wind energy will be on display at Federation Square until February 26. (Photo by Scott Barbour/Getty Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.