A child puts his swimming goggles on before jumping in a public pool of spring water in Japakeh, Indonesia's Aceh province on March 22, 2024, during the World Water Day. (Photo by Chaideer Mahyuddin/AFP Photo)

An Ezo red fox, or kitakitsune, and her cub are seen at night near the city of Sapporo, northern Japan, 15 May 2022. Authorities are calling population to avoid contact with the animals due to risks of echinococcosis infection. (Photo by JIJI Press/EPA/EFE)

A horse rears in the crowd during the traditional San Juan (Saint John) festival in the town of Ciutadella, on the Balearic Island of Minorca, on the eve of Saint John's day on June 23, 2022. (Photo by Jaime Reina/AFP Photo)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)

A security personnel plays with a girl in the compound of a health and rest centre which serves as a temporary accommodation for refugees from eastern regions of the country in the town of Korostyshiv, Zhytomyr region, Ukraine, July 30, 2015. More than 400 people who left eastern Ukraine due to a military conflict have arrived at the sanatorium in Korostyshiv since the summer of 2014, according to representatives. (Photo by Valentyn Ogirenko/Reuters)

Volunteers of a Wild Nature Preservation center release a group of owl chicks from the Toro Mountain in Menorca, Balearic Islands, Spain, 31 July 2019. (Photo by David Arquimbau Sintes/EPA/EFE/Rex Features/Shutterstock)

“Photo mechanic” and photographer Ionut Caras creates surreal concepts by combining the everyday with the unthinkable. His use of light and tone takes the viewer into a bizarre and beautiful world only seen in storybooks and our dreams. Photo: “The observer”. (Photo by Ionut Caras)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)