Children of the Roma community play as they cool off in a fountain in the main square of Pristina, Kosovo on June 14, 2017. (Photo by Armend Nimani/AFP Photo)

A clothing shop displays its merchandise in the rebel-controlled city of Idlib, Syria November 7, 2015. (Photo by Ammar Abdullah/Reuters)

In this January 31, 2014 file photo released by the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA), shows residents of the besieged Palestinian camp of Yarmouk, queuing to receive food supplies, in Damascus, Syria. That year, the U.N. was able to deliver food to about five percent of people in besieged areas including Yarmouk, while today estimates show the organization is reaching less than one percent. (Photo by UNRWA via AP Photo)

A migrant woman pulls a girl out of the water as refugees and migrants arrive on an overcrowded dinghy in rough sea on the Greek island of Lesbos, after crossing a part of the Aegean Sea from the Turkish coast, October 2, 2015. A record number of at least 430,000 refugees and migrants have taken rickety boats across the Mediterranean to Europe this year, 309,000 via Greece, according to International Organization for Migration figures. (Photo by Dimitris Michalakis/Reuters)

An exhausted and frustated migrant holds his head after he missed to get a place on a train heading to the Serbian border at the train station in Gevgelija, The Former Yugoslav Republic of Macedonia, August 13, 2015. From the beginning of the year to mid-June 2015, nearly 160,000 migrants landed in the southern European countries, mainly Greece and Italy, on their way to wealthier countries in Western and Northern Europe, according to estimates by the International Organization for Migration (IOM). (Photo by Georgi Licovski/EPA)

Boys pose with their toy guns as others play on swings, on the first day of the Muslim holiday of Eid al-Fitr, which marks the end of the holy month of Ramadan, in the government-controlled district of Dwelaa in Damascus, Syria July 6, 2016. (Photo by Omar Sanadiki/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.