Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.

Tali Spira of Baltimore, Maryland lets the wind aid in her Flow Art style dance moves (using silk material and fans) at the Tidal Basin in Washington, D.C. on March 25, 2022. She danced amid the backdrop of the cherry blossom trees that were still at their peak. (Photo by Michael S. Williamson/The Washington Post)

A girl attends a performance hosted by the Ministry of the Interior that includes police, border guards, and rescuers celebrating International Children's Day in Kyiv, Ukraine on June 1, 2021. (Photo by Gleb Garanich/Reuters)

Visitors wearing face masks walk near the Gwanghwamun, the main gate of the 14th-century Gyeongbok Palace, and one of South Korea's well-known landmarks, in Seoul, South Korea, Saturday, February 22, 2020. South Korea on Saturday reported a six-fold jump in viral infections in four days to 346, most of them linked to a church and a hospital in and around the fourth-largest city where schools were closed and worshipers and others told to avoid mass gatherings. (Photo by Lee Jin-man/AP Photo)

A Tibetan girl reacts as she gets ready to perform in a function organised to mark “Losar” or the Tibetan New Year in Kathmandu, Nepal, February 11, 2016. (Photo by Navesh Chitrakar/Reuters)

Contorsionist Rich Miteku performs during the opening of the 41st Monte-Carlo International Circus Festival in Monaco on January 19, 2017. (Photo by Valery Hache/AFP Photo)

A Pakistani Hindu bride attends a mass marriage ceremony in Karachi, Pakistan, 07 January 2024. The Pakistan Hindu Council organized the mass wedding ceremony for 122 Hindu couples belonging to poorer classes. (Photo by Shahzaib Akber/EPA/EFE)

Ahead of May Day, AFP' s video and photo teams spoke to men and women around the globe whose jobs are becoming increasingly rare, particularly as technology transforms societies. Here: Mohammad Ashgar, 65, an Indian rickshaw puller, poses for a photograph next to his rickshaw in Kolkata on April 21, 2018. (Photo by Dibyangshu Sarkar/AFP Photo)