Rolando Pujol Rodriguez photographed the Cuban raft exodus in 1994, and twenty years later Enrique de la Osa took portraits of some of the people who made it to the United States, in this story which combines archive and present day images. Here: People put the finishing touches to a makeshift boat on a rooftop before lowering it onto a truck and launching it into the Straits of Florida towards the U.S., on the last day of the 1994 Cuban raft exodus in Havana, in this September 13, 1994 file photo. (Photo by Rolando Pujol Rodriguez/Reuters)

A pedestrian leaps across a flooded portion of the La Paz and Seventh Street intersection as a winter storm arrived, Thursday, December 6, 2018 in Victorville, Calif. The second round of a fall storm dumped snow and rain that jammed traffic on Southern California highways and loosened hillsides in wildfire burn areas on Thursday. (Photo by James Quigg/The Daily Press via AP Photo)

Papier-mache sculptures, also known as “ninots”, burn during the “Nit de la Crema” (Fire Night) of the Fallas Festival in Valencia, eastern Spain, 19 March 2024. Fallas is a fortnight-long fiesta in which installations of parodic papier-mache, cardboard, and wooden sculptures are traditionally burnt every year on the last day of the event in the so-called “Crema” to end the festivities. (Photo by Biel Alino/EPA/EFE)

A bull rams inmates seated at a card table in the Convict Poker event at the Angola Prison Rodeo in Angola, La., Saturday, April 26, 2014. Those competing in the rodeo have to pass a physical to be deemed strong and healthy enough, and thousands of others work year-round making arts and crafts to sell at the event, according to the prison's athletic director. (Photo by Gerald Herbert/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

A member of the National Gendarmerie Intervention Group (GIGN) deactivates a bomb from a supposed terrorist during a training exercise in the event of a terrorist attack in collaboration with Recherche Assistance Intervention Dissuasion (RAID) and Research and Intervention Brigades (BRI) in presence of the French Interior minister Bernard Cazeneuve at la Gare Montparnasse, in central Paris on April 20, 2016. (Photo by Miguel Medina/Reuters)

Cuban girls dressed as nurses and a lizard wait for their turn to dance during a visit by the Gay Men's Chorus of Washington in Havana July 13, 2015. The choir made its first appearance on July 12, 2015 in Cuba as part of a tour that will include a dozen concerts in the context of the restoration of relations between the island and the United States. (Photo by Enrique de la Osa/Reuters)

An art installation formed with milk churns, made by land art artist Gerard Benoit a la Guillaume, is seen at the Chenau de Mayen in the resort of Leysin, Switzerland August 7, 2015. More than 80 milk churns were placed between the Tour d'Ai and the Tour de Mayen summits at an altitude of 2,000 meters (6,561 feet) above sea level under the direction of the artist, to be photographed for his ongoing art project entitled “Milk churns without borders”. (Photo by Denis Balibouse/Reuters)