Relatives clean the body of Paul Sampe Lumba who has been dead for seven yeas during the Ma'nene ritual at Panggala Village on August 26, 2016 in Toraja, Indonesia. The Ma'nene ritual in performed during a ceremony every three years, where the dead are exhumed for a change of clothes, among the people of Toraja as an expression of the love of the surviving family. (Photo by Sijori Images/Barcroft Images)

Call Parade is an ongoing public art project in São Paulo sponsored by Brazilian telecommunications firm Vivo, that paired 100 artists with 100 street-side phone booths giving them free reign to transform the peculiar hooded fixtures into anything imaginable. The exhibition has proven to be extremely popular and Brazilian photographer Mariane Borgomani set out to capture a number of the phones, my favorite of which is the painted day/night treatment above by artist Maramgoní.

A participant competes in the “Farinato Race” winter extreme run competition in Gijon, northern Spain, January 31, 2016. (Photo by Eloy Alonso/Reuters)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)

An Iraqi soldier drives MRAP at his base in Makhmour, after it was freed from control of Islamic State, south of Mosul, April 17, 2016. (Photo by Ahmed Jadallah/Reuters)

Villagers take part in a ritual celebrating the pagan god Yurya and pray for plentiful future harvests in the village of Pogost, Belarus May 6, 2016. (Photo by Vasily Fedosenko/Reuters)

The Historic Photographer of the Year awards celebrate historic places and cultural sites across the globe, from national treasures to hidden gems. Entries were judged on originality, composition and technical proficiency as well as the story that inspired the submission and its historical impact. Here: Overall winner. Mont Saint-Michel by Daniel Burton. (Photo by Daniel Burton/The Guardian)

Run by the Society of German Nature Photographers (Gesellschaft Deutscher Tierfotografen), the prestigious annual contest celebrates the best wildlife photography from members in Germany. Here: Landscapes, second place: Florian Smit, “Rainforest” (Danum valley, Borneo). (Photo by Florian Smit/2019 GDT Nature Photographer of the Year)