French performer Maud'Amour applies a makeup backstage before the Parisian transvestite cabaret show at “Madame Arthur” in Paris, on September 29, 2023. Open since 1946, Madame Arthur is the oldest transformist cabaret in Paris. Threatened with extinction the cabaret is undergoing a renaissance, attracting younger customers by returning to the fundamentals of the lie: baroque and queer performers who play with genres and conventions, and sing French hits live. (Photo by Joel Saget/AFP Photo)

“Andric Ljubodrag is a self-taught photographer born in Belgrade Yugoslavia. He was just 21 years old when he got his first paid job as a photographer. He lives in Toronto and shoots advertising campaigns in Europe, Canada, and the U.S.”. – TheDesignWork.com

A man stands in front of a display with an artificial coral inside the Davos Congress Center at the eve of the annual meeting of the World Economic Forum in Davos, Switzerland, Sunday, January 15, 2023. The site specific data sculpture by media artist Refik Anadol based on approximately one billion coral images processed by machine learning classification models. The annual meeting of the World Economic Forum is taking place in Davos from Jan. 16 until Jan. 20, 2023. (Photo by Markus Schreiber/AP Photo)

Dancers are warming up backstage during the Tango Dancing Tournament at the XIII International Tango Festival in Medellin, Colombia, on June 18, 2019. The Tango Festival takes place between the 16th and 24th of June. (Photo by Joaquin Sarmiento/AFP Photo)

Kagome Co's employee Shigenori Suzuki tries to eat a tomato which is fed to him by the newly-developed “Wearable Tomato” device for runners, during its unveiling event ahead of the weekend's Tokyo Marathon in Tokyo February 19, 2015. The eight-kilo (17.6-pound) contraption fits on a runner like a rucksack. It can distribute a total of seven medium-sized tomatoes, one by one, at the click of a button and supplies the runner with much needed nutrients during a long jog or race. (Photo by Toru Hanai/Reuters)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.