The shadow of a cross is pictured as Catholic faithful arrive to attend a reenactment of the “Via Crucis” (way of the Cross) during Holy Week in Abobote, an area of Abidjan, Ivory Coast, on April 18, 2025. (Photo by Luc Gnago/Reuters)

Performers kiss the Olympic Torch as Julien Segui carries the Olympic Torch at Moulin Rouge during the second day of the Paris 2024 Olympic Torch Relay on July 15, 2024 in Paris, France. (Photo by Maja Hitij/Getty Images)

A man walks through floodwater as rain pours in Kuala Lumpur, Malaysia, on November 24, 2025. (Photo by Hasnoor Hussain/Reuters)

An urban Opossum covered in light snow visits a suburban Chicago deck on December 10, 2025. (Photo by H Rick Bamman/ZUMA Press Wire/Rex Features/Shutterstock)

The work “Naught: Bondi” by Milarky is seen pre-dawn at Sculpture by The Sea on October 18, 2024 in Sydney, Australia. A striking inflatable sculpture resembling a melanoma is set to be showcased at Sculpture by the Sea 2024, running from October 18 to November 4 along the Bondi to Tamarama coastal walk. (Photo by Brook Mitchell/Getty Images)

A three-seater Toyota Kikai concept car is displayed during the 2016 CES trade show in Las Vegas, Nevada January 8, 2016. (Photo by Steve Marcus/Reuters)

Members of the Gafatar sect walk in the rain as they evacuate their compound, which was later burned down by local villagers, in Antibar village, Mempawah Regency, Indonesia West Kalimantan Province, January 19, 2016 in this photo taken by Antara Foto. Local authorities and police moved the sect members to an army barracks located some 70 km (43 miles) away from Antibar for their safety following recent disputes between the sect and the villagers, Antara said on Tuesday. (Photo by Jessica Helena Wuysang/Reuters/Antara Foto)

The Berenson robot strolls among visitors during the exhibition “Persona : Oddly Human” at the Quai Branly museum in Paris, France, February 23, 2016. The Berenson robot, developed in France in 2011, is the brainchild of anthropologist Denis Vidal and robotics engineer Philippe Gaussier. Its programming allows it to record reactions of museum visitors to certain pieces of art and then use the data to develop its own unique taste, which allows “Berenson” to judge whether or not it likes a certain work of art within an exhibition. (Photo by Philippe Wojazer/Reuters)