A tourist crosses flooded St. Mark's Square in Venice, Italy on November 11, 2012. Flooding is common this time of year and Sunday's level that reached a peak of 58.66 inches was below the 63 inches recorded four years ago in the worst flooding in decades. (Photo by Luigi Costantini/Associated Press)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

Common squirrel monkeys observe their Christmas present, a box full of mealworms, at the South America enclosure of the Budapest Zoo, in Budapest, Hungary, 24 December 2017. (Photo by Photo by Attila Kovacs/EPA/EFE/Rex Features/Shutterstock)

A woman dancing on the Sphinx. A pyramid can be seen in the background. (Photo by Fox Photos/Getty Images). 1928

Members of a dance troupe participate in the Cabildo de Getsemani parade as part of the 208th Independence celebrations in Carta​gena, Colombia, 10 November 2019. (Photo by Ricardo Maldonado Rozo/EPA/EFE)

A villager pours pesticide from a bucket as Mount Sinabung spews ash at Kebayaken village in Karo district, Indonesia's North Sumatra province, on December 4, 2013. The country has ordered the evacuation of 15,000 residents near the active volcano. (Photo by Roni Bintang/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

Photographer Patrick Halls likes to make the people he takes photos of uncomfortable in order to “capture a real emotion”. It is no wonder that for his latest project, he decided to stun his subjects with a taser.