A person eats an early Thanksgiving meal served to the homeless at the Los Angeles Mission in Los Angeles, California, November 25, 2015. (Photo by Mario Anzuoni/Reuters)

A topless climate activist Laura Amherst, 31, from Extinction Rebellion protests in Soho, London, United Kingdom on August 25, 2021. The event is part of the “Impossible Rebellion” protest to “target the root cause of the climate and ecological crisis” and are ongoing for two weeks until the Government agrees to stop all new fossil fuel investments. (Photo by Stephen Chung/Alamy Live News)

In this photo taken on Friday, March 15, 2013, members of a pro-Kremlin youth group attack pushers of spice, a synthetic drug, in Moscow, Russia. Russian officials and anti-drugs campaigners say that spice has become one of the most dangerous drugs widely available to youngsters and almost impossible to ban because of the constantly changing chemical ingredients. (Photo by Alexander Zemlianichenko Jr/AP Photo)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.

These tiny insects are so well camouflaged it is nearly impossible to make out their cleverly disguised forms. Canadian photographer and adventurer Paul Bertner attempted to catch the bugs in their natural habitats as part of a hide-and-seek game to show biodiversity in nature. Here: Stick insects. (Photo by Paul Bertner/Caters News)

Some people joke about having clowns at their funeral, but how about having a coffin that looks like a gigantic cellphone? It is impossible to tell at the first glance that these colorful sculptures are actually coffins. The coffins were made by Kane Kwei and his assistant Paa Joe more than twenty years ago and have been a somewhat grim tourist attraction ever since. These coffins were probably made as an advertisement for the actual business, since it would hard to imagine someone actually ordering a coffin such as this.

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.

There is something strangely appealing about the set of pictures created by Sandro Giordano in a series “In Extremis (Bodies With No Regret)”. Could it be the absurdity of the situation? Or the fact that our brain tries to make up some bizarre story to justify what is happening in the pictures? Of course it is impossible to explain why a pair of tennis players ended up lying flat on the ground with a pack of bananas hanging on the net, even if we forget about the tennis racket lodged in the neck of one of the players. Nevertheless, it is fun to recreate these scenes in your mind just seconds before the tragedy took place. (Photo by Sandro Giordano)