A cosplayer dressed as a “remote worker” with “corporate slave” written on his glasses poses for a photo on New Year's Eve at Comiket, the largest comic market that had been postponed for two years because of the coronavirus disease (COVID-19) pandemic, in Tokyo, Japan December 31, 2021. (Photo by Androniki Christodoulou/Reuters)

Scared of Heights. “Taken from the highest residential building in Asia: the Zenith in Busan. This was taken with official permission (which took me months to get) and safety measures were taken. I had to hang myself over the edge to get this shot. Not for the faint of heart! But when you’re at a height like this, the world below you just seems different. It takes away the fear one would normally have, and gives a sense of peace instead”. (Photo by Albert Dros/NatGeo Cities Travel Photographer of the Year 2017)

The Museum of Feelings doesn't really have “exhibits" in the conventional sense; rather, visitors move from one themed alcove to another, five in total, each with its own distinctive aroma. The “Optimistic Room," bathed in vivid pink and purple light, is little more than a lightshow, with patrons using small reflective panels to bounce light around the room. Here: People interact in the “optimistic” room at the Museum of Feelings, a pop-up installation in New York, December 15, 2015. (Photo by Stephanie Keith/Reuters)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

A horse smiles at the camera. See the beautiful images of horses gleefully playing in Iceland mountain ranges. The horses have been spotted smiling and cuddling in remote locations across the nation. (Photo by Bragi J. Ingibergsson/Caters News)

An elephant is used to demolish a house during an eviction drive inside Amchang Wildlife Sanctuary on the outskirts of Gauhati, Assam, India, Monday, November 27, 2017. Indian police on Monday took the unusual step of using elephants in an attempt to evict hundreds of people living illegally in the protected forest area in the country's remote northeast. Police used bulldozers and the elephants in a show of force, and the forest dwellers responded by hurling rocks. (Photo by Anupam Nath/AP Photo)