Revellers battled against 40mph winds and driving rain to get to nightclubs in Birmingham city centre on September 21, 2025. The Met Office released a yellow weather warning for strong wind and heavy rain overnight across much of England and Wales. The partygoers used their coats and umbrellas to shelter from the barmy conditions. (Photo by British News and Media/Alamy Live News)

Kids in fancy dress eat for free at Asda Cafés in Leeds, UK on Halloween on 31st October, 2025 – a real treat for families this spooky season. (Photo by Doug Jackson/PinPep)

Rays of the misty sunrise swathe Christ Church in the village of Brockham in Surrey, UK on September 29, 2025. Colder temperatures are expected in the early part of the day with mist and fog clearing later in the south. (Photo by Peter Macdiarmid/The Times)

Free for Editorial Use Ballerinas from The Royal Ballet School perform on December 2, 2025 under Covent Garden's first festive snowfall to launch the destination's daily December snow flurries. (Photo by Paul Grover/Covent Garden)

Giraffes at sunrise at the Loisaba Conservancy in Laikipia, Kenya in the first decade of December 2025. (Photo by Andrew Mason/Solent News & Photo Agency)

Revellers ride during the 54th annual brass band festival in the Serbian village of Guca August 7, 2014. Every year Guca is swamped by thousands of people taking part in the celebration of brass band music. (Photo by Marko Djurica/Reuters)

That's exactly what Vionnet's "Photo Opportunities" series does: takes hundreds of tourist photos of iconic landmarks, superimposes them into semi-transparency, and lets a dreamlike meta-image emerge.

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)