Richard Silver's photographs show us the world's biggest sights like Machu Picchu in Peru or Copacabana in Brazil. His photos, however, are not simply depictions of the landmarks but planned, artistic visual constructions that, with their playful combinations of sharpness and blur, create new worlds of experience. Photo: Coliseum, Rome. (Photo by Richard Silver)

A boy jumps into a pool of mud during the traditional “Bloco da Lama” or “Mud Street” carnival party, in Paraty, Brazil, Saturday, February 25, 2017. Legend has it the “bloco” was born in 1986 after local teens hiking in a nearby mangrove forest smeared themselves with mud to discourage mosquitoes and then wandered through Paraty. The party grew year after year, but revelers eventually were banned from parading in the colonial downtown after shopkeepers complained pristine white walls were stained with the hard-to-remove mud. (Photo by Mauro Pimentel/AP Photo)

In this May 17, 2017 photo, cowboy cook Odair Batista carries a case with food in Corumba, the Pantanal wetlands of Mato Grosso do Sul state, Brazil. Dressed with leather chaps on top of their jeans, stetson hats and a machete attached to their waists, before setting off, the men finish their breakfast with Terere, an herbal “mate” beverage served ice cold in an ox drinking horn. (Photo by Eraldo Peres/AP Photo)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

In this July 11, 2016 photo, a young, masked drug trafficker poses for photos holding his guns at a slum in Rio de Janeiro, Brazil. Teenagers openly tote guns while they work as guards, lookouts and distributors for drug lords operating just a few miles from where hundreds of thousands and tourists and athletes will be for the Aug. 5-21 Olympic Games. (Photo by Felipe Dana/AP Photo)

A demonstrator shows her arm with the name “Marielle” written on it, as she performs during a protest against the murder of councilwoman Marielle Franco in Rio de Janeiro, Brazil, Tuesday, March 20, 2018. Franco's murder came just a month after the government put the military in charge of security in Rio, which is experiencing a sharp spike in violence less than two years after hosting the 2016 Summer Olympics. (Photo by Leo Correa/AP Photo)

Mariana Sousa, student of the Ballet Paraisopolis, warms up during a rehearse in Paraisopolis favela, outskirts of Sao Paulo, Brazil on August 27, 2020, amid the new coronavirus COVID-19 pandemic. The 200 ballet students of Paraisopolis, the second largest favela in Sao Paulo, restarted rehearsals after five months with a coreography about a police operation that put their community in mourning last year. (Photo by Nelson Almeida/AFP Photo)