A woman poses for a picture as bunches of paprika hang on the walls of her house to dry in the village of Donja Lakosnica, Serbia October 6, 2016. Donja Lokosnica is the Serbian “capital of paprika”, since almost all of the 1300 inhabitants are involved in growing paprika. As autumn approaches, the whole village turns red, because of many threads of dried peppers, that hang around Lokosnica, waiting for their winter use. Each of these paprika threads is handmade, still dried according to traditional techniques, assisted solely by the sun and fresh air. (Photo by Marko Djurica/Reuters)

In this Friday, January 9, 2015 photo, bathhouse worker Omid Riahi, 39, scrubs a man to remove dead skin, at the Ghebleh public bathhouse, in Tehran, Iran. The steamy air and curved tiled walls of Iran's famed public bathhouses, some rinsing and massaging patrons for hundreds of years, slowly may wash away as interest in them wanes. The bathhouses, known as “hammams” in Persian, find themselves in rough financial times as modern conveniences now allow showers and baths in most homes across the Islamic Republic. (Photo by Ebrahim Noroozi/AP Photo)

A resident walks past big waves spilling over a wall onto a coastal road in the city of Legaspi in Albay province, south of Manila on December 14, 2015, as typhoon Melor approaches the city. More than 700,000 people fled the central Philippines amid threats of giant waves, floods and landslides as powerful Typhoon Melor approached the archipelago nation, officials said December 14. (Photo by Charism Sayat/AFP Photo)

In the desert near Joshua Tree, California, there stands a 70-year-old homestead cabin that isn’t all there. The ethereal cabin is part of an outdoor art installation by artist Phillip K. Smith III called Lucid Homestead. To give the cabin its striking appearance, the artist replaced strips of the wall with mirrors and the windows with mirrored panels that light up at night. The building reflects the desert sun and environment around it, making it seem like an airy and transparent space

Brad Says “Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.”

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.