An elephant in Amboseli National Park in Kenya, June 2021. Gurcharan Roopra, 42, a Nairobi-born engineer-turned-wildlife photographer, has dedicated the past four years of his career to photographing these animals. He spends hours in his workshop camouflaging and encasing his equipment with protective gear before laying his camera in the path of lions, elephants, rhino, zebra and buffalo. (Photo by Gurcharan Roopra/Mercury Press)

A five-month-old cheetah seated in the back of a Land Cruiser growls at an outstretched hand after being taken from traffickers in Ethiopia and driven to Harirad, Somaliland, in 2020. This photo is part of the work of more than 100 artists in Why We Photograph Animals, a new collection of wildlife photography that aims to help understand why people have photographed animals at different points in history and what it means in the present. (Photo by Nichole Sobecki/Thames & Hudson)

Sarah Campbell by Nick Knight and other cover shots – The Face Magazine: Culture Shift at the National Portrait Gallery in London on February 19, 2025. A new exhibition that celebrates iconic fashion images and portraits from The Face, a trail-blazing youth culture and style magazine. Bringing together 200 photographs by over 80 photographers from the 80s, 90s, 00s, the exhibition is an opportunity to see many of these images away from the magazine page for the first time. (Photo by Guy Bell/Alamy Live News)

A volunteer poses for a photograph with a snowman depicting the Beijing Winter Olympics mascot Bing Dwen Dwen at National Biathlon Centre in Zhangjiakou, China on February 13, 2022. (Photo by Kim Hong-Ji/Reuters)

Cosplayer Dom Charland, dressed as Batman, poses for his photographer on the Edge, the highest outdoor sky deck in the Western Hemisphere located Hudson Yards in New York on March 10, 2022. (Photo by Timothy A. Clary/AFP Photo)

A model poses for a photographer backstage ahead of the Ferreira Couture catwalk show at Malta Fashion Week in Valletta, Malta on July 20, 2022. (Photo by Darrin Zammit Lupi/Reuters)

Fish-eye lens with a twist: the Norwegian photographer Brutus Ostling uses bait to lure a herring gull for a close-up in September 2022. (Photo by Brutus Ostling/Solent News)

In the works of a photographer named Dave – who goes by Freaktography and never gives out his full name – haunting abandonment leaps from images of discarded machinery, tools and factory essentials. (Photo by Freaktography/Caters News Agency)