A Palestinian protester sets fire to himself as he throws a molotov cocktail during clashes with the members of the Israeli armed forces in the West Bank city of Hebron, 13 October 2015. The past 12 days have seen the worst spell of street violence in Israel and the Palestinian areas in years, stirred in part by Muslim anger over perceived changes to the status quo observed at a disputed Jerusalem holy site. Sixteen Palestinians from the West Bank and Jerusalem have been killed, but more than half of them have been attackers shot dead after or during attempts to stab Israelis. (Photo by Abed Al Hashlamoun/EPA)

Young revelers take part in a parade called "La Calabiuza" on November 1, 2015, on the eve of the Day of the Dead in Tonacatepeque, 20 kms (13 miles) north of San Salvador. During the celebration, the residents of Tonacatepeque, originally an indigenous community, recall the characters from the mythology of Cuscatlan – pre-Columbian west and central regions of El Salvador – and their dead relatives. (Photo by Marvin Recinos/AFP Photo)

In this Friday, November 6, 2015 photo dancers Alba Ibanez, right, and Luis Chavez, both from Spain, dress up backstage before taking part in the World Salsa Master dance competition in Madrid. Ten dance couples from different countries around the world performed in front of an audience of around 2,000 people. Participants – who wore bright, colorful outfits – came from the United States, Italy, Spain, Portugal, Mexico, Chile, Uruguay, Czech Republic and Venezuela. (Photo by Francisco Seco/AP Photo)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

An Indigenous man stands under a water fountain outside a government building in Brasilia, on April 26, 2019, during the last day of a protest camp. Approximately 4,000 indigenous people from different tribes are taking part in protests during the Indigenous National Mobilization (MNI) week, a mobilization which seeks to tackle territorial rights' negotiations with the government. (Photo by Carl De Souza/AFP Photo)

Syrian fighters from the Turkish-backed National Liberation Front (NLF) fire a missile against regime positions on May 13, 2019 in the rebel-held northern part of Syria's Hama province. Clashes on the edge of a jihadist bastion in northwestern Syria have killed at least 42 fighters in 24 hours, a monitor said today, after regime bombardment on the region devastated health services. (Photo by Omar Haj Kadour/AFP Photo)

People try to catch offerings thrown off the summit of Mount Bromo volcano by Tengger tribe members and local tourists in Probolinggo, East Java province on July 18, 2019, as part of the Yadnya Kasada Festival. During the annual Yadnya Kasada festival, the Tenggerese climb Mount Bromo, an active volcano, and seek the blessing from the main deity by presenting offerings of rice, fruit, livestock and other items. (Photo by Juni Kriswanto/AFP Photo)

This handout picture released by Jordan's Aqaba Special Economic Zone Authority (ASEZA) on July 23, 2019 shows a Jordanian Armed Forces armored vehicle lies on the seabed of the Red Sea off the coast of the southern port city of Aqaba, part of a new underwater military museum. (Photo by Aqaba Special Economic Zone Authority via Reuters)