Mount Sinabung is seen during an eruption from Surbakti village in Karo, North Sumatra, Indonesia, April 20, 2015. The local government is preparing the relocation of residents from three of the villages that were destroyed. (Photo by Tibta Pangin/Getty Images/Anadolu Agency)

A climber walks on the ridge beneath the eastern peak of the Gamsberg (2385 meters above sea level) near Grabs, Switzerland, Friday, October 3, 2014. (Photo by Gian Ehrenzeller/AP Photo/Keystone)

A bride gets her make-up done before the start of a mass marriage ceremony in Kolkata, India, February 14, 2016. A total of 150 tribal Hindu, Muslim and Christian couples from various villages across the state took their wedding vows on Sunday during the day-long mass marriage ceremony organised by a social organisation, the organisers said. (Photo by Rupak De Chowdhuri/Reuters)

Ashley Ward kayaks down a flooded street that has been inundated with water from Hurricane Harvey on August 27, 2017 in Houston, Texas. Harvey, which made landfall north of Corpus Christi late Friday evening, is expected to dump upwards to 40 inches of rain in areas of Texas over the next couple of days. (Photo by Scott Olson/Getty Images)

Participants in costumes arrive at the Notting Hill Carnival in London, Britain, 29 August 2022. The Notting Hill Carnival is the largest street carnival in Europe and returned to London after two year break due to the coronavirus pandemic with more than a million people expected to attend the two-day celebration of Caribbean heritage on 28 and 29 August. (Photo by Tolga Akmen/EPA/EFE)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.