In this January 16, 2019, file photo, a homeless man sleeps on a median strip in New Delhi, India. In India, some 270 million people – nearly 22 percent of the country's population – live in poverty, making giveaways particularly attractive to voters. The Modi government in its interim budget in January announced farmers would be paid 6,000 rupees ($85) annually, benefiting as many as 120 million households and income tax relief to the middle class. (Photo by Altaf Qadri/AP Photo/File)

An Iraqi shi'ite muslim girl places a copy of the Koran on her head during the holy month of Ramadan at the Imam Ali Shrine, in the holy city of Najaf, Iraq on May 28, 2019. (Photo by Alaa Al-Marjani/Reuters)

Children play near an apartment complex on the outskirts of Yangon, Myanmar on July 29, 2019. (Photo by Sai Aung Main/AFP Photo)

A girl plays in a waterlogged street following a heavy monsoon rainfall in Mumbai on June 9, 2021. (Photo by Sujit Jaiswal/AFP Photo)

Colton Herta crashes in the first turn during the final practice for the Indianapolis 500 auto race at Indianapolis Motor Speedway in Indianapolis, Friday, May 27, 2022. (Photo by Joe Watts/AP Photo)

A tattoo showing the Olympic rings is pictured on the leg of Mexico's Joana Jimenez Garcia during the Women Solo Technical Preliminaries, at the FINA World Championships, in Budapest, Hungary on June 17, 2022. (Photo by Marton Monus/Reuters)

A photographer has weathered some of Americas most violent storms to capture these stunning snaps. Storm chaser Mike Mezeul II, 30, has travelled all over the US to shoot the likes of mammoth thunderstorms and surreal cloud patterns. His incredible collection of storm images are the result of more than 15 years of photography and thousands of miles of travel. The photographer, from Frisco in Texas, USA, became interested in storm chasing aged 16 when he got his first car. He has since shot ferocious storms as far north as the Canadian border and as far south as Mexico. (Photo by Caters News)

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)