Ten day old male Gorilla “Fataki” clings to his mother “Frala” during his media debut at Taronga Zoo June 4, 2003 in Sydney, Australia. Fataki was born on May 24, 2003 and was the fourth Gorilla to be born at Taronga Zoo since the opening of the Gorilla Forest in 1997. (Photo by Chris McGrath/Getty Images)

Durga Kami, 68, who is studying tenth grade at Shree Kala Bhairab Higher Secondary School, walks with his classmate Sagar Thapa, 14, as they head to school in Syangja, Nepal, June 5, 2016. (Photo by Navesh Chitrakar/Reuters)

Ann Carrington has a penchant for collecting old things. Her treasure is other peoples trash! For the past few years, she has been collecting old pearl necklaces from junk shops and boot fairs with a view to building the awesomely majestic galleons below.

Nimbus, the 2 month old clouded leopard cub, who was hand reared at the home of curator Jamie Craig. Photographed sitting in her hammock at Cotswold Wildlife Park, Burford, Oxfordshire, UK on September 2014. Jamie Craig the curator of the Cotswold Wildlife park has hand reared the baby clouded leopard in his family bathroom after he was rejected by his mother. Now two months old Nimbus is been fed a cat milk replacement diet by bottle and is given soft toys to play with. It is hoped that the leopard will re-join others at the park and eventually join their breeding program. (Photo by SWNS/ABACAPress)

Cally Whitham is a photographic artist from New Zealand with romantic notions of finding value in banality. Her work identifies aesthetic value where none appears apparent and often invites viewers to reflect on our rural beginnings. via Photography Blogs.

In this photograph taken on July 10, 2012, a Pakistani worker pulls on a wire he will connect to a thick chain that will in turn be used to peel away a slab of the outer structure of a beached vessel in one of the 127 ship-breaking plots in Geddani, some 40Kms west of Karachi. (Photo by Roberto Schmidt/AFP Photo)

Cally Whitham is a photographic artist from New Zealand with romantic notions of finding value in banality. Her work identifies aesthetic value where none appears apparent and often invites viewers to reflect on our rural beginnings. via Photography Blogs.

A Rohingya Muslim from Myanmar (R), who tried to cross the Naf river into Bangladesh to escape sectarian violence, cries near his family in a Bangladeshi Coast guard station in Teknaf on June 19, 2012, before being sent back to Myanmar. (Photo by Munir Uz Zaman/AFP Photo)