A performer takes part in a street parade as part of the opening ceremony of the Ibero-American Theater Festival in Bogota, Colombia, March 12, 2016. (Photo by John Vizcaino/Reuters)

Marco Fiera from NoFit State Circus tries out the SkyWire, the new zip wire attraction which opens to the public this week at The Eden Project on July 17, 2012 in St Austell, England. The new 740m zip wire, currently the longest in England, allows the public a bird's eye view of the iconic Rainforest and Mediterranean Biome structures as well as the Cornish attractions outdoor gardens. The Eden Project – which opened in 2001 and has attracted over one million visitors – showcases 100,000 plants from around the world in two giant transparent domes, one of which is the world's largest greenhouse, each recreating different climate conditions. (Photo by Matt Cardy)

Alessandra Ambrosio arrives for the screening of “The Dead Don't Die” and the Opening Ceremony of the 72nd annual Cannes Film Festival in Cannes, France, 14 May 2019. Presented in competition, the movie opens the festival which runs from 14 to 25 May. (Photo by Ian Langsdon/EPA/EFE)

A group of young women have 'a bit of a do' for Oxfam at St Pancras International and enjoy a screening of the nation's favourite chick-flick Dirty Dancing on February 28, 2011 in London, England. Oxfam is calling on women across the UK to get together with their female friends in March to celebrate women's achievements for the 100th anniversary of International Women's Day (March 8, 2011) and raise money to support their work with women living in poverty. www.oxfam.org.uk/do (Photo by Ian Gavan/Getty Images for Oxfam). LONDON, ENGLAND – FEBRUARY 28

Baraa Melhem plays on her sisters bike at her mothers house on February 2, 2012 in Qalandia, near Ramallah, West Bank. Baraa Melhem was held in captivity in a bathroom by her father for over nine years, and was finally rescued by Palestinian security forces after a family member notified police. (Photo by Ilia Yefimovich/Getty Images)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.

Pretty Girls, Ugly Faces is a photo fad in which girls take pictures of themselves while posing in an unflattering manner, making a silly face or performing a physically strenuous activity.