The Maijishan Grottoes are a series of 194 caves cut in the side of the hill of Majishan in Tianshui, Gansu Province, northwest China. This example of rock cut architecture contains over 7,200 Buddhist sculptures and over 1,000 square meters of murals. Construction began in the Later Qin era (384-417 CE).

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

A man and a woman jump over a bonfire during Ivan Kupala Day celebrations held by the Belarusian State Museum of Folk Architecture and Rural Lifestyle in the village of Ozertso near Minsk, Belarus on July 4, 2020. Ivan Kupala Day, also known as Ivana-Kupala or Kupala Night, is a traditional pagan holiday celebrated in eastern Slavic cultures. Various rituals are traditionally performed on Kupala Night, including making flower wreaths, fortune-telling, jumping over bonfires, and burning a wheel-like effigy symbolizing the sun. (Photo by Natalia Fedosenko/TASS)

Tytus Brzozowski is a Polish architect and watercolorist who is inspired by the dynamics, color, design, and history of Warsaw. He creates watercolor paintings that often combine detailed architectural images with whimsical and imaginary scenes, such as pianos suspended by hot air balloons and buildings shaped like teapots

A life-size robot named “Mark 1”, built by product and graphic designer Ricky Ma, 42, is seen in Hong Kong, China March 31, 2016. Ma, a robot enthusiast, spent a year-and-a half and more than HK$400,000 ($51,000) to create the humanoid robot, which is modelled after a Hollywood star, to fulfil his childhood dream. The eyes of the robot include face and color tracking functions. (Photo by Bobby Yip/Reuters)

A man stands in front of a poster created by artist Tomoko Konoike, one of 20 posters officially selected for the Tokyo Olympics and Paralympics, at the Museum of Contemporary Art Tokyo Monday, January 6, 2020. The official posters are out for this year's Tokyo Olympics and Paralympics. The 20 posters have been created by 19 artists in fields ranging from painting, graphic design, and photography. Calligraphy and Japanese manga are also represented. (Photo by Jae C. Hong/AP Photo)

The book “Elektroschutz in 132 Bildern” (Electrical Protection in 132 Pictures) was published in Vienna in the early 1900s by a Viennese physician named Stefan Jellinek (1878-1968, a founder of the Electro-Pathological Museum). The pictures are nice and direct and unambiguous; they teach, graphically, that the surest way to kill yourself with electricity is to form a complete path from source (usually the bright red arrow) to ground (the screened back, pink arrow). Arrowheads provide the path for current flow. (Photo by The Vienna Technical Museum)