Egyptian bootblacks cleaning a European's shoes in Cairo. (Photo by Hulton Archive/Getty Images). Circa 1870

A member of the German wireless police picks up signals on the radio equipment he carries on his back, while his colleague takes notes. (Photo by General Photographic Agency/Getty Images). Circa 1925

A Mark IV tank, part of the parade at the Lord Mayor's Show in London. (Photo by Topical Press Agency/Getty Images). November 1917

A workman takes a siesta on a girder during the building of Radio City, the city of New York spread out below. (Photo by General Photographic Agency/Getty Images). Circa 1933

The Verreauxs Sifaka, otherwise known as Dancing Sifaka, who was caught strutting its stuff in Madagascar, has definitely learnt a lesson or two from King Julian – from the 2005 film “Madagascar”. Raising both of its arms and lunging from side to side, this lemur definitely likes to move it, move it. (Photo by Shannon Wild/Caters News Agency)

Jared Leto, holding a model of his own head, attends The Metropolitan Museum of Art's Costume Institute benefit gala celebrating the opening of the “Camp: Notes on Fashion” exhibition on Monday, May 6, 2019, in New York. (Photo by Charles Sykes/Invision/AP Photo)

If you feel bad about being being single and not having a girlfriend, Japanese photographer Keisuke Jinushi has a quick fix for you! The young artist, who studied at the Musashino Art University in Tokyo, shows how to use your own palm and Instagram to make the impression that you have a wonderful girlfriend.

At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)