Afghan women and a boy make their way in Kabul, Afghanistan, Sunday, November 15, 2015. (Photo by Rahmat Gul/AP Photo)

A homeless man rests on the side of a street at the old quarter of Yemen's capital Sanaa November 27, 2015. (Photo by Khaled Abdullah/Reuters)

A man rides his loaded tricycle next to three schoolgirls in Shanghai on December 11, 2015. (Photo by Johannes Eisele/AFP Photo)

An Afghan refugee girl shows her younger brother a calf in a slum on the outskirts of Islamabad, Pakistan, Friday, February 6, 2015. (Photo by Muhammed Muheisen/AP Photo)

Maharashtrian women dressed in traditional costumes attend celebrations to mark the Gudi Padwa festival in Mumbai March 21, 2015. The festival marks the beginning of the new year for Maharashtrians and is celebrated widely in Maharashtra and in the Konkan region. (Photo by Danish Siddiqui/Reuters)

Noriaki Iwashima gestures as he lies in a coffin to try it out during an end-of-life seminar held by Japan's largest retailer Aeon Co in Tokyo October 24, 2014. Funeral arrangements are normally left to those who have been left behind but the latest trend in Japan, which literally translates to “End of life” preparations, is for the ageing to prepare their own funerals and graves before they set off on their journey to the great beyond. With a population that is expected to shrink by nearly 30 million people over the next 50 years, the market for funerals, graves and anything related to the afterlife is still very much alive. (Photo by Toru Hanai/Reuters)

Mariam, a 9-year-old girl, carries her brother as she stands with other children at an underground ancient cemetery in Jabal al-Zawiya in the southern countryside of Idlib November 26, 2014. Residents are using ancient caves and cemeteries as underground shelters to hide in during shelling from forces loyal to President Bashar al-Assad. Picture taken November 26, 2014. (Photo by Khalil Ashawi/Reuters)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)