A Beija-Flor samba school member performs during the second night of the Carnival parade at the Sambadrome in Rio de Janeiro, Brazil on February 25, 2020. (Photo by Sergio Moraes/Reuters)
In this handout photo provided by the Helmholtz Center for Research on Infectious Diseases an EHEC bacteria is visible on May 30, 2011 in Berlin, Germany. German health authorities have attributed at least 14 deaths within the last two weeks to an outbreak of enterohemorrhagic E. coli, also known as the EHEC bacteria. (Photo Courtesay Manfred Rohde, Helmholtz-Zentrum fuer Infektionsforschung (HZI)/Getty Images)
Bratislav Stojanovic, a homeless man, holds candles as sits in a tomb where he lives in southern Serbian town of Nis . Stojanovic, 43, a Nis-born construction worker never had a regular job. He first lived in abandoned houses, but about 15 years ago he settled in the old city cemetery.
Maria Ines Banegas portraying “La Pirata” (The Pirate) takes part in a human living statues contest in Buenos Aires, Argentina, September 24, 2016. (Photo by Enrique Marcarian/Reuters)
The hard-worked hands of Jacaba Coaquira, 80, holding the green beans she grew on her land. This year the production of her land was affected by lack of rain and early cold weather that froze the crops before they finished growing. Santiago de Okola, Bolivia. (Photo by Renée C. Byer/Living on a Dollar a Day)
A boy runs next to a portrait of Thailand's King Bhumibol Adulyadej, placed in celebration of the King's 88th birthday, in Bangkok, Thailand, December 5, 2015. (Photo by Jorge Silva/Reuters)
Russian communists lay flowers at Soviet leader Joseph Stalin's tomb on Red Square next to the Kremlin wall in Moscow, Russia, December 21, 2015. Russian communists are marking the 136th anniversary of Josef Stalin's birthday. (Photo by Sergei Ilnitsky/EPA)
Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)