A devotee of the Ban Tha Rua Chinese shrine is helped with a spike pierced through her cheeks during a street procession celebrating the annual vegetarian festival in Phuket September 28, 2014. The festival, featuring face-piercing, spirit mediums and strict vegetarianism celebrates the local Chinese community's belief that abstinence from meat and various stimulants during the ninth lunar month of the Chinese calendar will help them obtain good health and peace of mind. (Photo by Damir Sagolj/Reuters)

In this Monday, January 18, 2016 photo, Iranian rock climber, Farnaz Esmaeilzadeh, scales a climbing gym in the city of Zanjan, some 330 kilometers (207 miles) west of the capital Tehran, Iran. Esmaeilzadeh, 27, who has been climbing since she was 13, has distinguished herself in international competitions despite the barriers she faces as a female athlete in conservative Iran. (Photo by Ebrahim Noroozi/AP Photo)

Karl Bang's paintings are unique because he combines totally different styles of painting within the same format. It is very difficult to design a balanced composition with realistic elements that are juxtaposed with flat colors and patterns. The faces of his subjects are painted realistically in the Western tradition with subtle gradations of color; while, his figures and costumes vignette into abstracted shapes, lines, flat colors and patterns that reflect Karl's background in China. It is as though there are different visual languages being spoken within his paintings.

The aerobatic demonstration team of the Italian Air Force, the Frecce Tricolori (“Tricolor Arrows”), fly over the Basilica of Saint Mary of Health as they perform as part of a nationwide tour to show unity and solidarity following the outbreak of the coronavirus disease (COVID-19), in Venice, Italy, May 29, 2020. (Photo by Manuel Silvestri/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

When you think of the People's Liberation Army, you probably don't think of line dancing. But the Chinese military's latest online recruiting video makes a soldier's life look more fun than the macarena. The brief spot, posted last week on the website of the Ministry of National Defense and going viral, features tanks and fighter jets, as well as soldiers dancing in rows to a quirky hit tune by the Chopsticks Brothers called “Little Apple”. Its lyrics include, “You are my little dear little apple/I can never stop loving you”.

The landscape series we’ve selected from Leo Caillard photography is a series of panoramic views of negative and information-filled spaces. The French photographer describes his remarkable work in the following terms: “a landscape series I chose to shoot in very high definition. A work about the action of humans in diverse types of environments; void of activity or full of information.

Kenza Drider, 32, announces her candidacy for France's 2012 Presidential election on September 22, 2011 in Meaux, France. Drider is the first French Muslim woman to wear a niqab and run for President despite France's nationwide ban on the face veil, which today saw 32-year-old mother of three Hind Ahmas and Najate Nait Ali both being fined after being caught wearing the niqab in public in the Parsisan district of Meaux back in May when the law first came into force. (Photo by Franck Prevel/Getty Images)