“Rudolf Khametovich Nureyev was a Russian Tatar dancer from the former Soviet Union, primarily known for his work in ballet. Nureyev's artistic skills explored expressive areas of the dance, providing a new role to the male ballet dancer who once served only as support to the women. He defected to the West, despite KGB efforts to stop him. According to KGB archives studied by Peter Watson, Nikita Khrushchev personally signed an order to have Nureyev killed”.

Photo: British ballerina Margot Fonteyn (Margaret Hookham) (1919 – 1991) and her professional partner during his tenure with the Royal Ballet Rudolf Nureyev. (Photo by Potter/Express/Getty Images). 12th December 1965. (Photo by Central Press/Getty Images)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)

“Capoeira is a Brazilian art form that combines elements of martial arts, sports, and music. It was created in Brazil mainly by descendants of African slaves with Brazilian native influences, probably beginning in the 16th century. It is known by quick and complex moves, using mainly power kicks and quick leg sweeps, with some ground and aerial acrobatics, knee strikes, take-downs, elbow strikes, punches and headbutts. The word capoeira comes from Tupi, referring to the areas of low vegetation in the Brazilian interior”. – Wikipedia

Photo: The Warriors of Brazil perform on Coogee Beach on November 23, 2009 in Sydney, Australia. The Warriors of Brazil show is a spectacular stage show which combines the extraordinary martial art of Capoeira with the uplifting music and dance of Carnival. (Photo by Ryan Pierse/Getty Images)

A man tries to stop two bulls from locking horns during a bullfight in the eastern emirate of Fujairah October 17, 2014. There are no matadors or picadors, but bulls locking horns with each other draw big crowds to bullfights in the United Arab Emirates (UAE). An hour's drive from the dancing water fountains of Dubai's glitzy downtown, hundreds of fans gather in Fujairah to watch bulls fighting, or perhaps more accurately head butting, with honour rather than money at stake. The UAE sport involves two bulls locking horns in a three-to-four minute Sumo-wrestling-like fight that usually ends with no bloodshed. (Photo by Ahmed Jadallah/Reuters)

Larissa Neto, a muse of the Unidos da Tijuca Samba School, poses as she wears a carnival dress in Sao Goncalo near Rio de Janeiro, Brazil, February 3, 2016. Rio de Janeiro's carnival parades are known the world over for the glitz and glamour, high-tech allegorical floats and shimmering bodies, which battle it out each year for the championship title. Each school is fronted by the Queen of the Drums, who dances alongside the raging percussion, and her court of sparkling, sculpted dancers known as “muses”. (Photo by Ricardo Moraes/Reuters)

Park Ji-soo of South Korea performs her contemporary variation during the final of the 43rd Prix de Lausanne at the Beaulieu Theatre in Lausanne February 7, 2015. The Prix de Lausanne is an annual international dance competition for dancers aged 15 to 18. A total of 67 participants from 18 countries were selected from 300 applicants to take part in this year's week-long competition, from which the jury has shortlisted 20 finalists to compete for Saturday's finals. Six of this year's finalists will be awarded a one-year all expenses paid scholarship at one of the Prix de Lausanne's partner schools or companies, among the most prestigious in the world. (Photo by Denis Balibouse/Reuters)

Films that are being screened are advertised in a makeshift cinema located under a bridge in the old quarters of Delhi, India May 25, 2016. A makeshift cinema hall under a 140-year-old bridge in the Indian capital is allowing poor rickshaw pullers and migrant labourers to escape daily hardship and sweltering heat into a world of Bollywood song, dance and romance. With the rusty iron floor of the bridge as its ceiling and some old rags acquired on the cheap from a nearby crematorium serving as curtains and floor mats, the cinema shows four films a day. (Photo by Cathal McNaughton/Reuters)