Moonlight illuminates sandstone buttes in the Valley of the Gods in the proposed Bear Ears National Monument near Mexican Hat, Utah, USA, 12 November 2016. In October 2015, a coalition of five Indian nations, including the Hopi, Ute, and Navajo, formally proposed the monument, attempting to preserve the parcel's 100,000 archeological sites from ongoing looting and grave robbing. Less than two months before handing over the White House to President Elect Trump, President Obama must decide if it's worth the political capital to designate Bear Ears a national monument. (Photo by Jim Lo Scalzo/EPA)

“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)

People take a selfie as the sun sets over Manhattan aligned exactly with the streets in a phenomenon known as “Manhattanhenge”, in New York City, U.S., July 11, 2016. (Photo by Mark Kauzlarich/Reuters)

A general view of Stonehenge during the annual Perseid meteor shower in the night sky in Salisbury Plain, southern England August 13, 2013. The Perseid meteor shower is sparked every August when the Earth passes through a stream of space debris left by comet Swift-Tuttle. Picture taken using a long exposure. (Photo by Kieran Doherty/Reuters)

Lindsay Heimbach goes airborne while sledding down a hill on Mt. Lemmon December 27, 2008. (Photo by James Gregg/Arizona Daily Star)

Libyan rebel fighters protect a pro-Gaddafi loyalist fighter from angry onlookers as he is brought in for medical attention to the Tripoli Central Hospital on August 25, 2011 in Tripoli, Libya. Heavy fighting continues in the Libyan capital between Gaddafi's forces and the surging rebel presence. Rebels, who have issued a $1.7m reward for Gaddafi's capture “dead or alive”, are attempting to reach Colonel Gaddafi's hometown of Sirte but have met loyalist resistance. (Photo by Daniel Berehulak/Getty Images)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)