Church members pray at the Dolieb Hill Presbyterian Church in the Protection of Civilians (POC) site at the United Nations Mission in South Sudan (UNMISS) compound in Malakal, South Sudan on Saturday, July 9, 2016. (Photo by Jane Hahn/The Washington Post)

These tiny insects are so well camouflaged it is nearly impossible to make out their cleverly disguised forms. Canadian photographer and adventurer Paul Bertner attempted to catch the bugs in their natural habitats as part of a hide-and-seek game to show biodiversity in nature. Here: Stick insects. (Photo by Paul Bertner/Caters News)

Some people joke about having clowns at their funeral, but how about having a coffin that looks like a gigantic cellphone? It is impossible to tell at the first glance that these colorful sculptures are actually coffins. The coffins were made by Kane Kwei and his assistant Paa Joe more than twenty years ago and have been a somewhat grim tourist attraction ever since. These coffins were probably made as an advertisement for the actual business, since it would hard to imagine someone actually ordering a coffin such as this.

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.

The illustrations created by Joao Carvalho are not just simple 3D drawings. By making it look as if various characters were drawn on regular note book paper, Joao fools our minds into thinking that the flat objects we see on the picture are actually 3-dimentional. To create these pieces of art, Joao first draws the lines of the “notebook” paper already bent, as if they stretch over the object that is about to be drawn. Then he applies shading and his masterpiece is all done! By looking at his pictures it is almost impossible to view them not as simple 2D drawings, but as real 3D objects. (Photo by Joao Desenhos)

The Tree Projects team spent 67 days documenting one eucalyptus regnans in the Styx valley of Tasmania. Using a combination of tree-climbing and elaborate arboreal rigging techniques, they produced an intimate portrait from an impossible perspective of one of the world’s largest individual flowering trees, which goes by several common names. These photos document the process that resulted in an extraordinary ultra high-definition photograph. Here: Haley nears the top of the tree. (Photo by Steven Pearce/The Tree Projects/The Guardian)

HIV-positive 71-year-old Sylverio Hachiploa (R) talks with caregivers Glandwel Muleya (L) and Sister Abigail Mwaka Mazuba (C) in his thatched hut during a visit by a home-based care team in the village of Nedwmba, south of the Chikuni Mission in the south of Zambia February 23, 2015. The caregivers in the Jesuit-run home-based care project at the Chikuni Mission run a capacity-building and empowerment project at the household level, offering training and assistance in crop-growing and animal rearing, as well as offering companionship, pastoral care and monitoring of the antiretroviral treatment compliance of HIV-AIDS patients. (Photo by Darrin Zammit Lupi/Reuters)

This February 7, 2018, photo shows João Lousada, a flight controller for the International Space Station, wearing an experimental space suit during a simulation of a future Mars mission in the Dhofar desert of southern Oman. The desolate desert in southern Oman resembles Mars so much that more than 200 scientists from 25 nations organized by the Austrian Space Forum are using it for the next four weeks to field-test technology for a manned mission to Mars. (Photo by Sam McNeil/AP Photo)